The processor also includes around 100 head-related transfer functions (HRTF), available in the SOFA file format.
#Amadeus pro review full
A binaural rendering algorithm is available to help engineers and producers prepare their production using a conventional pair of headphones, giving them the experience of a full 3D image of their mix, and to design sound object trajectories. The user can automatically spread multiple objects on a surface, customise an object’s appearance, and manipulate speakers on-screen to optimise their placement according to the selected spatialisation algorithm etc. Virtual objects (sources) must be created, each assigned to a physical (Dante) input and sent to spatialisation buses (up to six for each source), then output buses are affected to physical output channels. To create a HOLOPHONIX session, the first step is to position the speakers in the graphical interface, exactly as they are placed in the room. The HOLOPHONIX signal path is based on five elementary objects: physical inputs, virtual sources positioned in space on-screen, spatialisation buses using their own algorithms, direct routings to send signals to amplifier channels, and loudspeakers (spatial position is precisely documented in the software). It natively handles 128 inputs and 128 outputs in 24-bit/96kHz resolution, but can be extended to 256 or 384 inputs and outputs.
The input/output matrix of the HOLOPHONIX processor allows the user to choose the rendering mode for each of the incoming channels. HOLOPHONIX is OSC-compatible, Dante-compatible, and can also be configured on request for MADI, RAVENNA, or AES67 formats. 3D reverberation algorithms are included too. The HOLOPHONIX processor offers a quasi-unlimited number of spatialisation buses, each one able to run one of the 13 different sound algorithms available, designed at IRCAM-based STMS Lab, including: Higher-Order Ambisonics (2D, 3D) with A-format and B-format compatibility, Vector-Base Intensity Panning (2D, 3D), Vector-Base Amplitude Panning (2D, 3D), Wave Field Synthesis, Angular 2D, k-Nearest Neighbor, Stereo Panning, Stereo AB, Stereo XY and Binaural. Regular 2D venue drawings can also be imported into the GUI and shown as axonometric projections appearing to be rotated to show all three dimensions. It offers a three-dimensional visualisation of the venue, easing live monitoring and user interaction with all sound objects, speakers, and other various parameters. The HOLOPHONIX Controller application is compatible with all devices operating systems with a web browser, including iOS, MacOS, Windows, and Android-based environments. The hardware is an audio server with keyboard, mouse and monitor connectors, and is operated via a web browser graphic interface.
#Amadeus pro review software
Michel Deluc, Amadeus senior designer, worked closely with software designers Thierry Coduys, Guillaume Jacquemin (who developed the IanniX graphical sequencer) and Johan Lescure to imagine HOLOPHONIX’s graphic interface. There will be an NT Live broadcast to cinemas on 2 February.It was co-designed with the Paris-based IRCAM institute, an Amadeus long-time partner, and integrates many spatialisation algorithms developed there. Booking at the National Theatre, London, until 26 January.In the end, the production works superbly because it places the human drama in the seething context of a music-dominated society and, if there is more than a hint of Cecil B DeMille in the staging, then so there is in Shaffer’s theatrical spectacle. Karla Crome rightly plays Mozart’s wife, Constanze, as a shrewd, sharp-witted figure and the supporting roles are given unusual weight by Geoffrey Beevers as a Mozart-patronising baron and Hugh Sachs as a smug opera-house director. But, with his blond curls and habit of following people with mouth agape, Gillen reminded me of nothing so much as Harpo Marx: I half expected him at some point to thrust his knee into the hands of Tom Edden’s stately Emperor. He captures perfectly the whinnying cackle, the potty-mouthed puerility and the belief in his own gifts: you get the point that sublime music issues from an arrested adolescent. I have more mixed feelings about Adam Gillen’s Mozart. Arrested adolescent … Adam Gillen as Wolfgang Amadeus Mozart.
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